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Show jumping is a part of a group of English riding equestrianism events that also includes eventing, Show hunter, and equitation. Jumping classes are commonly seen at throughout the world, including the Olympics. Sometimes shows are limited exclusively to jumpers. Sometimes jumper classes are offered in conjunction with other English-style events. Sometimes, show jumping is but one division of a very large, all-breed competition that includes a very wide variety of disciplines. Jumping classes may be governed by various national horse show sanctioning organizations, such as the United States Equestrian Federation or the British Showjumping Association. International competitions are governed by the rules of the International Federation for Equestrian Sports.
Hunters are judged subjectively on the degree to which they meet an ideal standard of manners, style, and way of going. Conversely, jumper classes are scored objectively, based entirely on a numerical score determined only by whether the horse attempts the obstacle, clears it, and finishes the course in the allotted time. Jumper courses tend to be much more complex and technical than hunter courses because riders and horses are not being judged on style. Courses often are colorful and at times, quite creatively designed. Jumper courses can range anywhere in height from 0.80 meters to 1.60 meters.
Hunters have meticulous turnout and tend toward very quiet, conservative horse tack and rider attire. Hunter bits, , crops, , and martingales are tightly regulated. Jumpers, while caring for their horses and grooming them well, are not scored on turnout, are allowed a wider range of equipment, and may wear less conservative attire, so long as it stays within the rules. Some events may make it compulsory to wear show jackets. Formal turnout always is preferred; a neat rider gives a good impression at shows.
In addition to hunters and jumpers, there are equitation classes, sometimes called hunt seat equitation, which judges the ability of the rider. The equipment, clothing, and fence styles used in equitation more closely resemble hunter classes, although the technical difficulty of the courses may more closely resemble showjumping events. This is because both disciplines are designed to test the rider's ability to control the horse through a difficult course consisting of rollbacks, combinations, and higher obstacles.
In most competitions, riders are allowed to walk the initial course but not the jump-off course (usually the same course with missing jumps, e.g., 1, 3, 5, 7, 8 instead of 1, 2, 3, 4, 5, 6, 7, 8, 9 or the same course but timed) before competition to plan their ride. Walking the course before the event is a chance for the rider to walk the lines he or she will have to ride, in order to decide how many strides the horse will need to take between each jump and from which angle. Going off course will cost time if minor errors are made and major departures will result in disqualification.
The higher levels of competition, such as "A" or "AA" rated shows in the United States, or the international "Grand Prix" circuit, present more technical and complex courses. Not only is the height and width ("spread") of an obstacle increased to present a greater challenge, technical difficulty also increases with tighter turns and shorter or unusual distances between fences. Horses sometimes also have to jump fences from an angle rather than straight on. For example, a course designer might set up a line so that there are six and a half strides (the standard measure for a canter stride is twelve feet) between the jumps, requiring the rider to adjust the horse's stride dramatically in order to make the distance. This could also mean that the rider may have to add or subtract a stride to clear the jump with more ease. How the rider chooses to adjust can also depend on their horse. If a horse has a smaller stride in comparison to the average, they may need to add another stride and vice versa if the horse has a longer stride.
Unlike show hunter classes, which reward calmness and style, jumper classes require boldness, scope, power, accuracy, and control; speed also is a factor, especially in jump-off courses and speed classes (when time counts even in the first round). The first round of the class consists of the rider and horse having to go around the course without refusing or knocking down any jumps while also staying within the time allowed. If the horse/rider combination completes the first round successfully, then they move on to the second round, called the "jump-off". In a jump-off, the rider needs to plan ahead of time because they need to be very speedy and also not have any faults. The jump-off has fewer jumps than the first round but is usually much more difficult. To win this round, the rider has to be the quickest while still not refusing or knocking down any jumps. In most competitions, the penalties for knocking a pole down is four per pole. This is then added to any time penalties that have occurred
In the early horse shows held in France, there was a parade of competitors who then took off across country for the jumping. This sport was, however, not popular with spectators since they could not follow to watch the jumping. Thus, it was not long before fences began to appear in an arena for the competitions. This became known as Lepping. 1869 was the year ‘horse leaping’ came to prominence at Dublin horse show. History of Dublin Horse Show - Dublin Horse Show website Fifteen years later, Lepping competitions were brought to Britain and by 1900 most of the more important shows had Lepping classes. Separate classes were held for women riding sidesaddle.
At this time, the principal cavalry schools of Europe at Pinerolo and Tor-di-Quinto in Italy, the French school in Saumur, and the Spanish school in Vienna all preferred to use a very deep seat with long stirrups when jumping. While this style of riding may have felt more secure for the rider, it also impeded the freedom of the horse to use its body to the extent needed to clear large obstacles.
An Italian riding instructor, Captain Federico Caprilli, heavily influenced the world of jumping with his ideas promoting a forward position with shorter stirrups. This style placed the rider in a position that did not interfere with the balance of the horse while negotiating obstacles. This style, now known as the jumping position, is commonly used today. The deep, Dressage-style seat, while useful for riding on the flat and in conditions where control of the horse is of greater importance than freedom of movement, is less suitable for jumping.
The first major show jumping competition held in England was at Olympia in 1907. Most of the competitors were members of the military and it became clear at this competition and in the subsequent years, that there was no uniformity of rules for the sport. Judges marked on their own opinions. Some marked according to the severity of the obstacle and others marked according to style. Before 1907 there were no penalties for a refusal and the competitor was sometimes asked to miss the fence to please the spectators. The first courses were built with little imagination, many consisting of only a straight bar fence and a water jump. A meeting was arranged in 1923 which led to the formation of the BSJA in 1925. In the United States, a similar need for national rules for jumping and other equestrian activities led to the formation of the American Horse Shows Association in 1917, which now is known as the United States Equestrian Federation.
An early form of show jumping first was incorporated into the Olympic Games in 1900. Show jumping in its current format appeared in 1912 and has thrived ever since, its recent popularity due in part to its suitability as a spectator sport that is well adapted for viewing on television.
At international levels, saddle pads are usually white and square in shape, allowing the pair to display a sponsorship, national flag, or breeding affiliation. In contrast, riders in and equitation often use "fitted" fleece pads that are the same shape as the saddle. Girths vary in size and type, but usually have a contour to give room for the horse's elbows, and many have belly guards to protect the underside of the horse from its Caulkin when the front legs are tightly folded under.
may be used with any style of cavesson noseband, and there are few rules regarding the severity of this equipment. The figure-8 cavesson is the most popular type. Bits may also vary in severity, and competitors may use any bit, or even a "bitless bridle" or a mechanical hackamore. The ground jury at the show has the right, however, based on veterinary advice, to refuse a bit or bridling scheme if it could cause harm to the horse.
Boots and wraps are worn by almost all horses, due to the fact that they may easily injure their legs when landing or when making tight turns at speed. Open-fronted tendon boots usually are worn on the forelegs, because they provide protection for the delicate tendons that run down the back of the leg, but still allow the horse to feel a rail should it get careless and hang its legs. Fetlock boots are sometimes seen on the rear legs, primarily to prevent the horse from hitting itself on tight turns. However, dressage horses are forbidden from wearing boots or wraps during competition or tests, due to the formality of dressage there are extended regulations on tack.
Martingales are very common, especially on horses used at the Grand Prix level. The majority of jumpers are ridden in running martingales since these provide the most freedom over fences. Although a standing martingale (a strap connecting directly to the horse's noseband) is commonly seen on and may be helpful in keeping a horse from throwing its head up, it also may be quite dangerous in the event of a stumble, restricting a horse from using its head to regain its balance. For this reason, standing martingales are not used in show jumping or eventing. Breastplates also are common, used to keep the saddle in place as the horse goes over large fences.
At FEI Grand Prix levels, dress is more strictly controlled. Riders must wear white or light-colored shirts, white ties or chokers, black or brown boots, white or light fawn breeches, and red or black jackets. Members of the military, police forces, and national studs, however, have the right to wear their service uniforms instead of FEI-prescribed dress. In some circumstances, members of international teams may wear jackets in their country's respective colors or add national insignia.
Some of the basic types of fences seen in show jumping are verticals, spreads, water, and combinations. Most jumps are constructed with poles or planks supported on each end by standards, upright supports which can hold multiple poles at various heights. A vertical jump is an upright jump with a single pair of standards which hold a vertical stack of rails or planks, or a gate. A spread jump made of two or more pairs of standards, making a wider jump for the horse, is called an oxer. A wall is a vertical stack of blocks painted to look like a stone or brick wall. A water obstacle may be a wide open ditch of shallow water (usually lined with light blue plastic) or a smaller water ditch with a jump placed over it. A combination jump is two or three jumps in a row, with one or two strides between each; two jumps in a row is called a double combination and three jumps is a triple combination.
Horses prefer a more solid looking jump, so many rail fences are filled with brush or flower boxes or other solid-looking objects. Since horses judge their takeoff from the base of a jump (the ground line), most fences have a rail placed on or near the base of a fence, however sometimes a jump is constructed without a ground line to test the horse's ability to jump without that cue.
Pony also compete in show jumping competitions in many countries, usually in classes limited to youth riders, defined as those under the age of 16 or 18 years, depending on the sanctioning organization. Pony-sized horses may, on occasion, compete in open competition with adult riders. The most famous example was Stroller, who only stood but was nonetheless an Individual silver medal winner and part of the Great Britain show jumping team in the 1968 Summer Olympics, jumping one of the few clean rounds in the competition. Significant jumpers from the United States are included in the Show Jumping Hall of Fame.
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